A Wellesley Home Provides the Backdrop for an Impressive Contemporary Art Collection
December 19, 2022
Charlotte Zawel crafts a bold modern design that dialogues seamlessly with an extensive contemporary art collection.
Text by Lisa H. Speidel Photography by Michael J. Lee
Sometimes when you collect art, you get lucky. Sometimes you get really lucky. Lucky as in you now have a piece hanging in your dining room by Kehinde Wiley, the renowned New York-based artist who painted an official portrait of President Barack Obama.
Such was the case for Charlotte and Marc Zawel. The interior designer and her husband began collecting works by contemporary emerging and blue-chip artists in earnest a decade ago. Their involvement with the Museum of Fine Arts, Boston, the Institute of Contemporary Art/Boston, and the deCordova Sculpture Park and Museum, not to mention countless art fairs, galleries, and auction houses, has enabled them to line the walls of their Wellesley home.
The Zawels scored Wiley’s After Pontormo’s “Two Men with a Passage” from Cicero’s “On Friendship” at auction in 2016—two years before Obama’s portrait debuted. “He was an artist we were interested in,” remembers Charlotte. “He was getting a lot of buzz, so we were very lucky to get it.”
While luck played a role in securing the winning bid, the Zawels’ approach to collecting is focused and purposeful. As they’ve morphed their 7,000-square-foot spec home into a gallery of sorts—“We’ve almost run out of wall space,” admits the designer—they’ve amassed primarily prints and photography with a focus on artists of color and female artists.
The pieces are thought provoking and provocative. Two large-scale photographs by Marilyn Minter, whose images frequently blur the line between commercial and fine art, dominate the living room. Above the bar cart in the dining room hangs a piece by Gonzalo Fuenmayor that depicts a crystal chandelier intertwined with bananas; “It’s a critique on colonialism and the exploitation of Latin America’s natural resources,” says Zawel.
While museums or galleries typically favor a neutral palette, this is where the Zawels differ. Their art collection is mixed with furnishings, fixtures, and textiles that tell their own bold story. “Color, pattern, textures, layers—that’s how I love to design,” says Zawel. “If you want a black and white house, I’m probably not your girl.” In terms of design inspiration, Zawel conjures the likes of designers Sister Parish and Albert Hadley as she deftly mixes colors, patterns, styles, and materials. Thankfully, she says, her husband is also along for the ride: “He is into my crazy wallpaper and textiles. He’s definitely an advocate, which is fun, and a sounding board.”
Travel also factors heavily into Zawel’s vision, as far-flung finds shape the aesthetic. In the living room, for example, she discovered the throw pillow fabric in Barcelona. It was the jumping off point for the space, which sports Farrow & Ball Peony wallpaper, ombré fabric on the chairs, and a contemporary coffee table from M-Geough. And in the foyer, she spotted the Saturn-shaped rug in Paris, which she paired with an Oomph console table and the pièce de résistance: a two-story hand-painted mural by Pauline Curtiss of Lincoln, Massachusetts-based Patina Designs.
Curtiss’s work is sprinkled throughout the house, from the foyer—a playful improvisation that the artist refers to as “Matisse graffiti”—to the ombré mantel and fireplace surround in
the living room to the basket-weave-patterned gold-leaf ceiling in the dining room. “This was one of my favorite jobs of my career,” says Curtiss. “Charlotte and Marc are edgy, open, and they trust artists.”
And it is exactly that trust in the voice of contemporary artists that has led the Zawels to create a colorful, provocative, and, above all, personal space that is distinctly their own.