Surface Interest
October 29, 2014
Text by Cheryl and Jeffrey Katz

Crevices: Elizabeth Cohen is a self-taught studio potter who also teaches high-school English and is a mother of three. Working in porcelain, Cohen creates objects, like this Round Wall Piece, that are both functional and sculptural, drawing inspiration from organic elements in nature. 12″W. $1,200. Wellesley, Mass., (781) 431-8851, elizabethcohenpottery.com

Knots: Michele Quan, of MQuan Studio, designs and sculpts handmade ceramic art and objects for the home and garden, like this ten-strand wall hanging. 48″ × 48″ (not including the 26" adjustable rope ties). $1,650. Templeton General, Boston, (857) 362-7289, front-online.com, and Sugar Tools, Camden, Maine, (207) 706-4016

Droplets: Originally designed in 1964 by Oiva Toikka for the Finnish glass company iittala, the Kastehelmi dewdrop pattern was reintroduced in 2010. The Kastehelmi Footed Bowl, shown here in clear, is the newest addition to a collection that includes a variety of colors. 11.8 oz. capacity. $25-$65, depending on color. Didriks, Cambridge, Mass., (617) 354-5700, didriks.com

Twists: Inspired by the Giardino di Boboli in Florence, where mythical figures merge with the landscape, the Herculite Grotto Lamp is sculpted in clay and cast in plaster. 10″W × 24″H (to the top of the harp). $1,875 (shade not included). Webster & Company, Boston Design Center, (617) 261-9660, webstercompany.com

Stitches: Using an industrial sewing machine in his Brooklyn, New York, studio, Doug Johnston creates hand-formed receptacles by coiling and stitching one continuous piece of cord. Approx. 10″D × 5″H. $100. Edgewater Gallery, Middlebury, Vt., (802) 458-0098, edgewatergallery-vt.com, and Lekker, Boston, (617) 542-6464, lekkerhome.com

Cables: As sophisticated as this textured, two-seater ottoman may appear, it’s as user-friendly as a favorite sweater. The woven, 100 percent wool ottoman is filled with silicone beads for a comfortable sit. 44″L × 24″W × 18″H. $650. Artefact Home/Garden, Belmont Mass., (617) 993-3347, artefacthome.com
Consider the curve, the crevice, the cavity, the cable. Ruminate on the rocky, the rough, the rustic, the ever-so-slightly ruined. Seems there’s a sudden interest in objects whose surfaces are anything but unruffled.
It would be too obvious—and old news—to suggest that this fascination with tactile experience is in response to a technological world rife with the sleek and the smooth. Instead, might it symbolize the messy, sometimes unpredictable nature of everyday life? Whatever the reason, inherent in the pieces we’ve assembled here is a sense of spirit and style that inevitably rises to the surface.
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