living family rooms
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A circular tête-a-tête is an organizing element for the living room's seating arrangements. "Sacred Fig" by Jennifer Amadeo-Holl hangs above the mantel.

The formal living room is an elegant balance of light and dark, with lacquered charcoal-gray walls offset by silvery drapes, lighting fixtures bedecked in crystals and fabrics that boast a reflective sheen. The stone fireplace is original to the house and retains Asher Benjamin’s signature fretwork.

To give this light-filled family room a feeling of ârelaxed elegance,â designers Noelle Micek and Tricia Roberts kept accessories, such as the custom lighting fixture and garden stools, to a minimum and opted for a neutral color palette featuring blues and grays. The soft, muted beachy tones, says Roberts, âbring a little bit of California to New England.

The designer combined bold texture with a serene color palette inspired by the coastline, picking up the tones of the fieldstone fireplace and the pickled beams. Objects collected from the sea (coral, shells, sea sponges) and the marine motif of the upholstery are reminders of the home’s island location.

Glorious city views take center stage, thanks to a design plan that keeps the living room furniture below windowsill height. A pale color scheme gets interest from textured fabrics such as linen velvet on the sofa and chenille on the lounge chair, geometric patterns in rug and pillows, and a smattering of animal prints.

Original decorative molding frames the living room’s new energy-efficient windows. Laid-back accessories like furry pillows and a tribal-patterned ottoman dispel formality and make the space comfortable and fun for the family when they watch television. The vibrant upholstery on an armchair harmonizes happily with a western flair the wife favors.

A custom carpet from J.D. Staron grounds the warm, bright family room, where designer Carey Karlan made use of luxurious fabrics, such as creamy Holly Hunt chenille on the Ralph Lauren sofas, a cotton-mohair blend from Schumacher on the bench, and taupe leather on the Lee Industries armchairs. The midcentury painting by Irene Zevon is one of several in the owners’ collection.
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