Connecticut

The scheme for the entry started with the stair runner by Prestige Mills, which inspired the color choice for the chest, Benjamin Moore Champion Cobalt. The Urban Electric Company lantern ties the black door to the handrail. “If it were up to me, every room would have some black,” Handler says. “It’s classic and dramatic.” The photograph over the mantel in the lounge is by Fairfield County-based artist Allyson Monson.

A mixed-media diptych by pop artist Jenn Lewis takes centerstage in the dining room, painted Benjamin Moore Revere Pewter, in this modern farmhouse. Interior designer Kimberly Handler says, “The piece includes newsprint, duct tape, a little bit of everything. The longer you look, the more things you find.”

Deux Femmes Decorative Art custom applied a textural linen-like finish to the wall and molded ceiling in the main bedroom. For art, Monahan framed a favorite Tiffany scarf.

In the living room, Monahan cleverly crafted the windows to appear larger without changing their exterior dimensions by adding a bank of mirrors above the panes. To make a sisal rug pop, she layered a cowhide rug beneath overlapping glass sectional coffee tables. The wall displays the ethereal lines in a pair of works by up-and-coming Connecticut artist Tracie Cheng, while furniture is comfy but sleek.

A series of molding-framed murals by Susan Harter could easily steal the scene in the dining room. Instead, Monahan selected the calming earth tones of grisaille, letting her mahogany dining table and antique chairs stand out. A chandelier from Arteriors accents a custom-finish ceiling painted by Deux Femmes Decorative Art.

“Rather than making a sexy evening entertainment vibe, we went for something plush, light, and inviting that beckons you to take a seat all hours of the day,” says Sinkin about the living room. Prism side tables inject an architectural element, while faux palm leaves are reminders of Florida, a favorite vacation destination. The coffered ceiling panels sport a cane-patterned wallpaper to heighten visual interest.

The sumptuous master suite brings together a wealth of textures—the wood mantel, an alpaca throw, linen curtains, and the wool flannel-clad armchair that cozies up to the fire. In true Hirsch mix-it-up style, there’s also an eye-catching walnut Jonathan Adler Claude étagère with a midcentury vibe. “We wanted this to be a sophisticated and quiet place,” the designer says.

The lamps on the nightstands in the master bedroom are repurposed vases in Han Dynasty shapes. And that small stack of books on the Chinese wooden bench? Cohen only brought eight books with her to Westport. “My home is very edited,” Cohen says. “I didn’t want a lot of stuff. I wanted to connect to life in a fresh way.”

A sofa and chair from Restoration Hardware pair effortlessly with an antique African side table and a raku bowl from South African artist Lauren Gelgor Kaplan. “I don’t like a lot of color in my home,” explains Cohen. “I bring in color through art. I like a calm, neutral palette with a lot of texture.”

The long, narrow family room presented a spatial challenge that Davies conquered with extra-slim walnut shelving and a custom sofa from Vladimir Kagan.
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