Galleries

The artist in his studio with Maui (March 2026), 24”H x 29”W x 3”D, Hawaiian koa and resin.
Nantucket Island (December 2024), 20″H x 32″W x 1½”D, maple, walnut, and resin.
Cape Ann (October 2025), 31”H x 30”W x 1½”D, maple, mahogany, and resin.
A Cannon Mountain (July 2025), 24″H x 24″W x 6½”D, maple, walnut, and resin.
Block Island (June 2025), 32″H x 27″W x 1¾”D, maple, mahogany, and resin.
Built-in hutch cabinets add to the kitchen’s abundant storage.
The green glass lamp is a repurposed vintage bottle; interior designer Kristina Crestin had a hole put into the cabinet and a socket installed behind the cabinetry panel to hide the cord.
The window-seat, a last-minute addition, has turned out to be one of the most popular spots in the house.
The walnut shades on the pendants play off the handsome furniture-like island. Pietra Del Cardoso on the island top and counters makes a fine companion for the moody deep-gray hue of the lower cabinets. The backsplash above the Bertazzoni stove is a noncombustible faux V-groove paneling that matches the wood-paneled walls.
Baskets tucked into cubbyholes in the island hold fresh fruit for easy access; a hidden pocket door can cover the baskets for a finished look.
A custom brass-trimmed metal hood adds a little bling above the La Cornue induction stove, and a pot filler makes boiling up a batch of pasta easy.
The island is topped with Le Blanc quartzite. A pullout bin keeps compost scraps out of sight.
The arch reflects original arches elsewhere in the house. The cabinet’s hue echoes the hydrangeas the homeowner dries every year to bring her garden indoors for the winter.
Architect Colin Smith printed life-size images of the windows, whose details reinforce the home’s Tudor-style origins, so Aurora could see exactly how they would look.
Rich walnut, cream-colored cabinets, and white walls come together in a kitchen that looks as though it evolved over time. The ceiling molding lends interest while framing the island below. Owner Megan Aurora thought through every detail for both beauty and function. “I’ve been dreaming about this kitchen for years,” she says. “I’m not a designer, just a strong-headed owner.”
A slab of Carrara marble turns the coffee station into a focal point, while open shelving and concealed storage keep everyday necessities close at hand.
Soft white cabinetry, a plaster hood, and sculptural pendants give the monochromatic upstairs kitchen calm appeal. Windows relocated during the renovation bring natural light to the range wall.
A clever lift mechanism raises the stand mixer to counter height when needed, then tucks both appliance and bowl neatly behind cabinet doors when baking is done.
Floor-to-ceiling cabinetry makes every inch count, while sculptural pendants lend a softer note above the island.
Rich walnut cabinetry, creamy quartzite, and pale green tile give the parents’ compact kitchen warmth without sacrificing brightness.
Warm cherry cabinetry, oversized checkerboard marble flooring, and milk-glass pendants restore the kitchen’s late-nineteenth-century spirit.
A furniture-like cabinet displays antique plates and copperware above baskets that neatly store table linens and other entertaining essentials.
Marble wraps the range wall for easy cleanup; fluted-glass cabinet fronts add texture and a subtle nod to the home’s late-nineteenth-century roots.
Centered between wallpaper-lined niches, the breakfast nook invites lingering over morning coffee or casual family meals. A velvet banquette, marble-topped bistro table, and views of the peach tree beyond the windows create a quiet corner that feels connected to both the garden and the home’s Tudor heritage.
The view from the front door to a dining room designed for parties showcases the kitchen’s custom quarter-sawn oak cabinetry and ipe floors—not a sustainable material but bought from a discontinued lot so acceptable to the homeowners.
The upper landing features sight lines to the rooftop deck and a Bocci bobble pendant light fixture. The wood handrail tops partial glass walls, keeping the space open.
The new dining room is surrounded by transom windows, French doors, and a seven-foot slatted pergola (supported by reclaimed beams) that reduces the direct light going into the house.
The primary bath’s vanity top serves as a dark counterpoint to an otherwise light room with a Victoria + Albert soaking tub and Carrara marble with a ribbed “spaghetti” texture on the floor and walls.
Intersecting rectangles form the combination kitchen table and island, which is clad in soapstone and has a waterfall countertop.
A switch allows the Bocci wall lights, which look almost like glass paper weights, to turn on and off as one.
The short upper and taller lower windows of this suburban Boston home are arranged in vertical bays for a symmetrical facade interrupted only by the recessed entry, which offers protection from the elements.
Jolie refers to the 400-square-foot shop as her “seaside fishing shack.” Tinned fish is a recurring theme in her ceramics: her current favorite is Fishwife’s smoked salmon with chili crisp.
The shop carries coastal-themed goods from Maine makers and artists.
Fish dishes are displayed on faux ice, much to the delight of shoppers.
“My ceramics are whimsical and accessible,” says Jolie, who originally sold her work at art markets before going viral last summer.
Gabrielle Jolie opened Fish Haus in Kennebunk, Maine, in May. She summered in Maine as a child and moved to Portland four years ago to be part of the art community.
Jolie refers to the 400-square-foot shop as her “seaside fishing shack.”
Jolie infuses her work with humor; witness her lobster butter dish, which features a lobster under the lid.
The M 546 Kohinoor Desk and C 3379 Vanity Seat.
The M 530 StyleMaster Bed and M 1528 Encore Nightstand.
Furniture maker and CEO Tom Belletete inspecting a M 1553 Cat’s Eye Dining Chair in Winchendon, Mass.
The M 392 Square Cocktail Table with Drawer.
A Portland, Ore., furniture shop advertising the brand in 1951.
A finisher polishing a M 321 Bookcase in the Gardner, Mass., factory in 1949.
A 1950 advertisement for Heywood-Wakefield’s Modern collection.
The M 197 Butterfly Drop-Leaf Dining Table and M 154 A and C Dog Biscuit dining chairs.
The CM 388 C Biscayne Collection Club Chair, M 992 End Table with Shelf, and M 2410 Cosmo Coffee Table.
Photograph by Anthony Crisafulli
Photograph by Anthony Crisafulli
Photograph by Anthony Crisafulli
Photograph by Anthony Crisafulli
Portrait by Bruce Goravin
Photgraph by Jared Kuzia
Photgraph by Jared Kuzia
Portrait by Bruce Goravin
Photograph by Read McKendree
Photograph by Read McKendree
Portrait by Bruce Gorivan
Photograph by Anthony Crisafulli
Photograph by Nat Rea
Photograph by Nat Rea
Photograph by Nat Rea
Portrait by Bruce Gorivan
Photograph by Jared Kuzia
Photograph by Jared Kuzia
Photograph by Jared Kuzia
Photograph by Jared Kuzia
Photograph by Michael J. Lee
Photograph by Michael J. Lee
Photograph by Michael J. Lee
Photograph by Michael J. Lee
Photograph by Marshall Dackert
Photograph by Michael J. Lee
Photograph by Ryan Maheu
Photograph by Michael J. Lee
Photograph by Nat Rea
Photograph by Jessica Delaney
No, the kids don’t skateboard. The client discovered Andy Warhol’s Campbell’s Soup Cans skateboard collection at the MoMA Design Store and just liked it. The floating shelves were installed because she wanted “to have some reading material available for the family,” Okawa says.
The neutral colors are meant not to disturb the colors of nature tapping on the windows, so to speak. “But the client likes to be a little bit playful,” Okawa says, which explains the turquoise ottoman. Busk + Hertzog sofas convert to comfortable beds.
The corridor, or engawa, around the perimeter is not a corridor in the way Americans think of it, says interior designer Rina Okawa. In Japan, a corridor is about connecting the indoors to the outdoors.
In siting the hanare, a mature Japanese maple tree was preserved, standing tall between the new structure and the main house.
The reddish color on the stucco matches the accent color seen on the main house’s top floor, while the stained sapele mahogany slats are an intentional Japanese-style design element.
The oak slats on the bathroom vanity from Modway’s Render series riff off the slats outside the dwelling’s door.
Soft sage walls offer a visual breather, providing a unifying backdrop for a vintage kilim rug, plush velvet chairs, and an eclectic mix of decor.
A vibrant mango hue awakens the butler’s pantry, beautifully juxtaposed against botanical wallpaper backing the cabinets and a playful silk ikat café curtain.
Rich brown millwork, a glossy pink ceiling, and tapestry wallpaper evoke a cozy lodge aesthetic and sanctuary in the library, says interior designer Thiara Borges Dananberg.
Geometric Robert Kime wallpaper and custom green-patina sconces cast a soft, ambient glow in a second-floor landing painted with warm teal accents.
Lavender grasscloth wallpaper infuses the living room with airy texture, balancing a midcentury Moroccan rug, warm neutral trim, and a delicate glass light fixture.
An L-shaped sectional sofa anchors a family room that serves as the primary gathering space. Custom parchment ceiling mounts with plum trim were created locally by Blanche P. Field.
Woven Casamidy chairs with saddle-blanket backs flank a kid-friendly table in the dining area, while a sleek flush-mount fixture injects modern interest beneath the low ceiling.
Abstract pink wallpaper adds an earthy, elegant feel to the primary bedroom, where a caned bed and rich burlwood nightstands wrap the space in layered warmth.
The home’s back entry is wrapped in a deep, dramatic teal that sweeps up the curved staircase. A vintage Brimfield flea market rug and artwork from Chelsea Lyons Teta ground the space.
A botanical wallcovering by Isidore Leroy visually expands the walls of this guest room. Reid purchased the antique Chinese rosewood chairs for her first New York apartment and has found a happy home for them ever since.
Designer Amanda Reid’s living room walls are painted Inchyra Blue by Farrow & Ball. The Italian midcentury chairs are upholstered in a Schumacher moiré; the glass and Lucite cocktail table is from the 1970s. The aqua and pink artwork is by Karine Léger.
“I really wanted the kitchen to also be formal and not feel so much like a kitchen, so I didn’t include any upper cabinets,” Reid says.
In the primary bedroom, silk window treatments with tassel trim and a canopy bed exude glamour.
New shutters from New England Shutter Mills and an exterior paint color—Sherwin-Williams Greek Villa—gave the Greek Revival a glow up for the Insta era. The front door is painted Farrow & Ball Nancy’s Blushes.
The stairway’s porcelain wall pieces were hand thrown by Mexican artist Lucrecia Waggoner and acquired through Lanoue Gallery in Boston.
Reid’s Bengal cat, Mika, perches in the dressing room where the fabric on the window treatments is by Schumacher.
The branch-inspired chandelier from Corbett in the dining room echoes the wallcovering by Isidore Leroy.
Glass blocks and pink laminate counters were evicted from this bathroom in favor of a deep soaking tub and marble mosaic flooring.
Homeowner Amanda Reid, founder of Mandarina Interior Design Studio, by the original marble fireplace surround.
Photograph by Karen B. Davis
Photograph by Karen B. Davis
Portrait by Bruce Rogovin
Photograph by Keith LeBlanc
Photograph by Keith LeBlanc
n keeping with the home’s palette, the second-floor guest room incorporates earthy mocha tones.
The powder room has a vintage sink and faucet, antique mirrored tile, and a wallpapered jib door concealing the water closet.
A French farmhouse table from the 1800s anchors the walk-out portion of the basement that serves as a garden/potting room. The antique stool has been in the owner’s family for generations.
While the new owners of this vintage farmhouse in northern Vermont were committed to preserving its historic character, they couldn’t resist embracing the spectacular mountain views with an expansive new three-season screened porch, furnished with Lane Venture wicker sofas and a Hudson Valley Lighting Group fixture.
Another nod to the past is an enclosed scullery off the kitchen that houses an overflow kitchen, food prep area, and wine room.
A second-floor “spillover” room designed for guests with children, this alcove-like bedroom also doubles as a cozy reading nook.
Like many vintage farmhouses, this 1880 home sits close to the road, prompting landscape architects Keith Wagner and Abby Comeau to create a subtle buffer that includes maple trees and a staggered getty gray granite wall.
Though the kitchen was extensively remodeled, the owners chose traditional furnishings, classic cabinetry, and reclaimed French oak flooring to blend old-world charm with modern functionality.
The children’s bunkroom sleeps six and features reclaimed French oak floors and built-in storage drawers painted Benjamin Moore Louisburg Green.
A stand-alone tub anchors the primary bathroom.
Like many vintage farmhouses, this 1880 home sits close to the road, prompting landscape architects Keith Wagner and Abby Comeau to create a subtle buffer that includes maple trees and a staggered getty gray granite wall.
The home’s rear exterior features a three-season porch.
The family dubbed this cozy retreat the Away Room—a place to watch television, read, or simply enjoy a little solitude without leaving the action entirely.
This built-in window seat transformed leftover attic space into one of the homeowners’ favorite places to curl up with a book.
The primary bedroom’s soft textures, natural materials, and restrained palette create a restful retreat, allowing the architecture and changing light to take center stage.
Walnut cabinetry and Ocean Blue quartzite bring warmth and subtle color to the primary bath.
Flexible furnishings—including two ceramic garden stools repurposed as drinks tables—lush native plantings, and broad Sakonnet River views create an outdoor room equally suited to quiet mornings for two and holiday weekends with family
Designed for two, the shared office includes built-in storage, comfortable seating, and a private balcony, making it easy for the couple to work side by side.
Between the living room’s swivel chairs, artisan Jeff Soderbergh transformed a tree removed during construction into a sculptural table, stacking concentric slices to reveal the tree’s growth rings
Sea Pearl quartzite countertops, leafy ceramic tile, and stools by Rhode Island maker O&G Studio echo the landscape beyond.
Architect Donald Powers broke up the home’s massing with layered rooflines and carefully scaled gables, giving the 4,000-square-foot house a deceptively modest presence.
The river elevation unfolds gradually, with porches and terraces encouraging family and guests to move easily between indoors and out.
Designed to welcome a crowd, the custom-crafted walnut dining table expands with pullout breadboard ends to seat twelve. Overhead, V-groove paneling adds texture and a subtle sheen, giving the ceiling character without the visual weight of exposed beams.
The homeowners brought the living room’s painting by Ohio-based artist AJ Oishi with them when they moved to Rhode Island.
Landscape architect Laura Knosp designed the grounds as a series of outdoor rooms, with the firepit creating a natural gathering place as the sun goes down.
“The primary bedroom had to, at the end of the day, become an oasis or retreat for my clients,” says Pomeroy.
Alfie, the homeowners’ dog, relaxes on a porch with Walters wicker furniture. “Gerald came up with creative ways to make the home beautiful and family-friendly,” the client says.
The 1880s Victorian with its grand facade sits on the rugged Cohasset coast with expansive views of the Atlantic Ocean.
Siegel Structural Engineers reconfigured the structural framing of the family room to allow for an ocean-facing facade of floor-to-ceiling doors and windows. Hwang Bishop Barnacle table lamps add a sculptural element.
Gerald Pomeroy Interiors designed the fireplace surround in the drawing room. The stone and fabrication are by ItalMarble. The antique English Regency convex mirror is from David Neligan Antiques.
Harrington counter stools from Arteriors rest beneath Urban Electric Co. Chelsea lanterns in a kitchen with “an intriguing combination of classic and modern elements,” says Pomeroy.
The renovated hallway uses the ocean as a focal point. A Vaughan Zurich Lantern hovers above a circa-1830 German Biedermeier table sourced through Chairish.
“The entrance is decidedly elegant but low key at the same time, referencing the architecture of the house,” says interior designer Gerald Pomeroy.
Full-height windows overlooking the ocean were added to a breakfast room with an Iatesta Studio garden table, Vaughan Montferrat Leaf Chandelier, and Stark rug.
Gerald Pomeroy Interiors custom designed the vanity in the primary bath.
A view from the primary bedroom into the en suite bath; the chest of drawers and mirror are vintage.
A Lawson-Fenning bed upholstered in a Schumacher fabric anchors the primary bedroom. The settee is from Cisco Home, and the lighting was installed by the previous homeowner.
A hallway nook features a built-in bench covered in fabric from Leah O’Connell Design Textiles and Wallcoverings. FACING PAGE: The new mudroom showcases cubbies and cabinetry that play off the existing wood paneling.
The new mudroom showcases cubbies and cabinetry that play off the existing wood paneling.
A painting by the late Ann Sklar, who lived in Maine, hangs in the great room. The room’s sitting area contains a pair of chairs from Lawson-Fenning, custom ottomans, and a cocktail table from Noir.
A painting by Allen Bunker hangs above the fireplace in the den; the chairs and side table are vintage.
A Tracy Glover light fixture hangs above a dining table from Petersen Antiques & Design paired with vintage chairs; the kitchen barstools are from Palecek.
A Verellen sectional, a rug from Patterson Flynn, and a black side table from Noir round out the den and don’t compete with the panoramic views.
On the deck, a sofa from Shoppe Amber Interiors and a cocktail table from Williams Sonoma Home provide a perfect oceanside perch for hosting friends.