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A limestone fireplace (that matches the limestone floors under the rug) is the centerpiece in the living room, where the walls are painted in a gold-tinted decorative striae that complements drapery featuring Fermoie’s Astrea design.
There had been a fair amount of discussion about whether to dismantle the bar in the den. But the husband did not want an office with a desk (“I don’t want to feel like I’m at work”), and the bar is where he often conducts his Zoom calls, although who could pay attention to the computer screen with that view?
The 1770 saltbox, uncovered and restored to its austere simplicity, became the focal point of the project as the addition purposely fades into the background. Although this is now a flower farm, the landscape around the saltbox is bare bones, as it would have been when the house was built. “Foundation plantings are a twentieth-century invention,” says architect Stewart Skolnick.
The “pub room,” outfitted with a bar, wine fridge, game table, and a wallpaper mural printed with an enlarged copy of a 1940s aerial photograph of the property, is in the basement of the addition.
The walnut shades on the pendants play off the handsome furniture-like island. Pietra Del Cardoso on the island top and counters makes a fine companion for the moody deep-gray hue of the lower cabinets. The backsplash above the Bertazzoni stove is a noncombustible faux V-groove paneling that matches the wood-paneled walls.
Rich walnut, cream-colored cabinets, and white walls come together in a kitchen that looks as though it evolved over time. The ceiling molding lends interest while framing the island below. Owner Megan Aurora thought through every detail for both beauty and function. “I’ve been dreaming about this kitchen for years,” she says. “I’m not a designer, just a strong-headed owner.”
Centered between wallpaper-lined niches, the breakfast nook invites lingering over morning coffee or casual family meals. A velvet banquette, marble-topped bistro table, and views of the peach tree beyond the windows create a quiet corner that feels connected to both the garden and the home’s Tudor heritage.
The neutral colors are meant not to disturb the colors of nature tapping on the windows, so to speak. “But the client likes to be a little bit playful,” Okawa says, which explains the turquoise ottoman. Busk + Hertzog sofas convert to comfortable beds.
Designer Amanda Reid’s living room walls are painted Inchyra Blue by Farrow & Ball. The Italian midcentury chairs are upholstered in a Schumacher moiré; the glass and Lucite cocktail table is from the 1970s. The aqua and pink artwork is by Karine Léger.

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