Whimsical details like this lobster weathervane abound.
The home is a mere 45 steps from the beach.
The iconic front porch is a welcome transition space with six rockers and two swings.
Owner/designer Jim Gauthier wanted his interiors to say summer home, hence the pleasing mix of slipcovered furnishings in the living room. But his love of texture and color make statements too, with bright fabrics, a nubby rug and the mantel’s collection of mercury glass.
The home’s new facade.
A backyard bocce court.
The garden shed.
A warmly layered reading/napping nook is nestled between the kitchen and dining room.
The dining room.
Gauthier took a lot of heat for his choice of chocolate brown in the kitchen, but he loves its cozy feel. The kitchen island, an antiques-shop find, sets the stage for complementary industrial-style stools and a playful collection of store signs and clocks.
A place for everything and everyone was made possible by imagining the enclosed porch as a true room, says Gauthier, where a swinging daybed, antique chairs and breathable fabrics invite friends and family to sink in and stay awhile.
Another view of the colorful front porch.
White beams and batten-board walls lighten up the master bedroom.
The compact and tidy stairwell to the upper floors.
Memories of summers at the beach have a way of sticking with you, like sand after a dip in the oceanâonly you donât ever want to brush them away. It was this persistence of memory that compelled Jim Gauthier to find a house where he could re-create the lazy and blissful days heâd spent on the New Hampshire coast as a kid. âI grew up vacationing on the coast and it was wonderful,â Gauthier, a co-owner of the Boston design firm Gauthier-Stacy, remembers. His familyâs three-room cottage was cramped, though, and he wanted a place spacious enough for extended family and friends. Plus, says the interior designer, it had to look âcool and great.â
He found a house he liked in Hampton Beach, but he was wary of its location. âThe town has a reputation for being âhonky-tonk,â so I hadnât really been considering it,â he says. Then there was the matter of curb appeal: the house had none. But the beach, being gorgeous, held sway. And the house had three things going for it: affordability, six bedrooms and the forty-five steps it takes to set foot in the sand.
Gauthier bought the property in 2000, and for seven years he and his parents, siblings, nieces and nephews happily came and went, while he made slow and steady improvements to the interior. But he admits that the homeâs cobbled-together facade didnât exactly thrill him.
He finally called in an architect, choosing Bruce Miller, with whom heâd worked on his Boston loft. Remembers Miller: âI got what Jim was trying to do. We had to make it as charming as possible. He gave me a lot of images of houses he liked and I combined them with my memories of traditional summer homes.â
Miller carried off a transformation so complete that âpeople hardly remember what it used to look like,â says the elated homeowner. The roofline was changed, the fenestration thoroughly reconfigured and the vertical siding replaced with gray shingles. The open second-story porch is now enclosed (a gaudy balustrade gone), and the unsightly garage replaced by a sheltered ground-floor porch and proper entry. A tidy lawn, picket fence and boxwoods complete the now-pretty picture.
âI wanted a front door and a porch,â says Gauthier. âI love what âporchâ means in our New England vocabulary. It sets the mood for a house. A porch makes a home gracious and inviting. Here, itâs where we greet our guests, cocktails in hand. Itâs part of the ritual of the house.â
Reclaimed brick pavers here and in the foyer foreshadow the homeâs casual decor. âYou walk in the door and Âinstantly you know itâs not going to be stuffy at all,â says Gauthier. âThe bricks hide the sand, too.â
This is a quintessential âhigh-lowâ family house with the advantage of having been decorated by someone who knows eleganceâand how to make even a breezy, beachy gathering place look sophisticated. And yet: âI wanted the house to be super comfortable, so no one would ever worry about putting a glass on a table. Nothing is precious,â says Gauthier.
The walls in the foyer are swathed in bold, chocolate-brown stripes. The space is furnished simply with a framed mirror, vintage trunk and weathered bench, on top of which sits a large bowl filled with sea glass gathered over the years.
On the second floor, an open-plan kitchen (with chocolate-brown walls, high-gloss white beadboard ceiling and wide-plank floor) and dining room dominate. At the heart of the kitchen is one of Gauthierâs best finds: an antique shop counter discovered in the Berkshires. Pressed into service as an island, âit really is our gathering place,â he says. âItâs where we all hang out. I made sure that it would seat up to ten of us at a time.â
The wide center hall makes a perfect segue to the screened porch, Gauthierâs favorite spot. âI wanted to make the porch into a true room, with lots of seating,â says the designer, who generously layered the all-season space with texture and cottage-style comfort. In winter, when the screens are switched out for glass, the sun can warm the porch to 75 degrees, making it an ideal spot for reading or dining. In summer, though, âI just love it,â says Gauthier. âI love napping on the swinging bed. Thereâs always a little noise in the background, from the street, or a baseball game thatâs on in the house…itâs perfect. The room just makes me happy.â
On the third floor, Gauthier turned the living room and three bedrooms into airy retreats. He had the open-beamed ceiling and walls covered with batten board and painted a cool white. A sisal rug over the painted floor grounds the living room, where sofa and chairs are done in dove-gray slipcovers. (Gauthier switches to black-and-white ticking stripe in winter.)
Throughout the house Gauthierâs signature orange serves as a clever punctuation mark to an overall neutral palette. Heâs dipped pillows, throwsâeven two wicker chairs on the porchâin the happy color.
âOn the outside, we worked with classic colorsâdark gray with white trim,â he says. âInside and out, I used Âaccent colors of red, white and green, but I love orange. I always have. I had an orange room as a kid,â he adds. âI have touches of it in my apartment, but I really turned up the orange in this house.â
Although it has a small footprint, the house never feels crowded. Gauthierâs mother, Barbara, is living there full-time while her own home is being renovated. âWhen I am here by myself, Iâm very comfortable,â she says. âAnd even when the house is full of people, it feels just as comfortable. Itâs incredible. When Jim bought it, the house was suitable, but it was dark. It didnât feel like a beach house. Now itâs bright, open, comfortable and friendly.â
Gauthier smiles when he thinks back to the plain Jane his home once was. âI remember wanting it to look nicer, so I would enjoy pulling up to it. And now, well, I canât help myself. I drive up, and I canât stop smiling.â
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